Posted: November 1st, 2023 | Filed under: Calls for Papers | No Comments »
European HipHop Studies Network 7.0
23-26 May 2024 (*note new dates)
Cork, Ireland
This call for participation is open to proposals for individual papers as well as themed ciphers of 3-4 presenters. This call is also open to proposals for arts workshops, organizing sessions, film screenings, and other practice-led formats. The programme committee will take an affirmative approach to such arts and activist projects in order to widen access and encourage engagement from under-represented groups and alternative approaches as we call this pluriversity into being.
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Posted: November 1st, 2023 | Filed under: Calls for Papers | No Comments »
For forty years, NOFX’s brand of (depending who you ask) witty, offensive, humorous, juvenile, intelligent, existential, political, anti-PC, and/or philosophically probing punk has reared several generations in punk attitude and ethos, for better or worse (again, depending who you ask). The band got its start in the early-1980s Los Angeles punk scene, was among the pioneers of the melodic yet hardcore So-Cal punk style, rode the wave of 1990s punk popularity without signing to a major record label, took a political turn during the Bush era, and continued their punk provocations until retiring in 2023. With fifteen studio albums and over eight million record sales, there is much to analyze about NOFX’s lyrics, musical style, business practices, image, personalities, reception, and controversial role in the punk scene.
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Posted: November 1st, 2023 | Filed under: Calls for Papers | No Comments »
July 5-7, 2024
Hosted by Liverpool Hope University
School of Creative and Performing Arts
The Music Team members at Liverpool Hope University are delighted to announce an interdisciplinary, international Beatles symposium that will be held on July 5-7, 2024 at the School of Creative and Performing Arts, located in the heart of Liverpool’s vibrant city centre. This academic symposium honours the 60th anniversary of the release of the Beatles’ album and film, A Hard Day’s Night. As the dynamic opening chord of the title track signalled a sea change in popular culture, this moment in music history is worth further, in-depth exploration. The symposium will feature keynote addresses from leading Beatles scholars Professor Walter Everett (University of Michigan), Professor Katie Kapurch (Texas State University), and Professor Kenneth Womack (Monmouth University). Along with these presentations, there will also be a screening of A Hard Day’s Night, as well as sessions featuring other special guests.
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Posted: November 1st, 2023 | Filed under: Calls for Papers | No Comments »
Whether it’s fans creating friendship-bracelets to exchange at Taylor Swift concerts, dressing up in pink because of Barbie, or dancing to Anitta’s hit Envolver on TikTok, fans trying to end Britney Spears’ conservatorship… pop culture and its fandoms are thriving in today’s Creative Industries. In this special issue of the Brazilian Creative Industries Journal, we aim to explore the intersection of Pop Cultures, Fan Studies, and the Creative Industries. We invite and encourage submissions discussing recent developments linking these themes together. We are interested in papers that explore the following topics, but are not limited to them:
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Posted: November 1st, 2023 | Filed under: Calls for Papers | No Comments »
Call for Chapter Proposals
Edited by Christian Spencer-Espinosa and Laura Jordán González
Proposals due: November 23rd, 2023
In recent decades, Latin America has experienced new cycles of political and cultural crisis in which music and sound have played an important role. More and more, allegedly empowered citizens turn sound and musical genres into a means to make cultural criticism and propose new social agendas. At the same time, the transformative potential of music seems to be disavowed when considering both the commodification of political expressions by the market, and their control and co-option as forms of official culture by the state and its institutions.
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Posted: October 23rd, 2023 | Filed under: Calls for Papers | No Comments »
The research concerning player pianos and reproducing pianos has grown recently. However, it is still underrepresented, given its cultural relevance. Furthermore, most works focus on Anglo-American contexts. This volume strives to make the research carried out in the Iberian Peninsula and Latin America visible; there, research groups, independent researchers, and collectors have been working for a long time on these issues. We welcome contributions of scholars and collectors from within and outside academia to enrich our perspective on player pianos and reproducing pianos in the Iberian Peninsula and Latin America.
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Posted: October 23rd, 2023 | Filed under: Calls for Papers | No Comments »
Call for Proposals 2024
University of Glasgow
Friday 28th – Sunday 30th June, 2024
The RMA Study Group Music and/as Process is pleased to announce the Call for Proposals as part of their eleventh annual conference, which will take place at the University of Glasgow on Friday 28th to Sunday 30th June, 2024.
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Posted: October 23rd, 2023 | Filed under: Calls for Papers | No Comments »
The US chapter of the International Association for the Study of Popular Music (IASPM) announces our annual conference, April 11-14, 2024, hosted by Drexel University in Philadelphia, PA.
Discussions of popular music frequently center individual actors: the star, the producer, or the listener. Such narratives allow for exploration of personal expression and insight. But they can overlook the communal elements and mass appeal of popular music. As the late Howard S. Becker illustrated in his foundational work on “art worlds,” popular music is the product of a group of creators: songwriters and lyricists, studio musicians, sound engineers, promoters, dancers, and more.
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Posted: October 17th, 2023 | Filed under: Calls for Papers | No Comments »
14-15 March 2024, University of Copenhagen, Department of Arts and Cultural Studies
The gender gap in the music industry (understood in its broadest sense) has been evident, perceptible, measurable, and publicly discussed for many years. However, public discussions and policy initiatives on ‘gender inequality’ and ‘gender balance’ often focus on increasing the number of women and gender non-conforming professionals, leaving the patriarchal infrastructures and cultures of the music industries unchanged and unchallenged.
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Posted: October 17th, 2023 | Filed under: Calls for Papers | No Comments »
Conference Dates: June 20-22, 2024
Location: University of Michigan @ Ann Arbor
We acknowledge that the University of Michigan resides on the ancestral, traditional, and contemporary lands of the Anishinaabeg – The Three Fire Confederacy of the Ojibwe, Odawa, and Potawatomi Nations, as well as the Wyandot Nation.
Abstract Submission Date:
All proposals should be submitted on or before 11:59 p.m. (EDT) on November 30, 2023 to: [email protected]
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