Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

Mapping spaces, sounding places: Geographies of sound in audiovisual media

Posted: May 12th, 2018 | Filed under: Calls for Papers | No Comments »

Cremona, 19-22 March 2019
Department of Musicology and Cultural Heritage, University of Pavia (Cremona)

Sound design, film music and music editing in general exert a primary function in conveying senses of space and place in audiovisual media. Strategies for connoting space and place in film sound and music vary with cinematic practices across history and according to transnational patterns of negotiation between global and local modes of production. At the same time audiovisual communication, when rich in local connotations, allows insights into specific socio-historical contexts and the documentation of human geographies.

This conference aims to bring together scholars interested in mapping geographies of music and sound practices in audiovisual media (e.g. film, television, video games, interactive art). We invite fresh perspectives on film music and sound that are willing to embrace aspects ranging from individual approaches to space and place to collective geographies, also considering industrial trends and intermedia connections. Cultural, ethnographic, historical, analytical, data-driven and aesthetic approaches are welcome, as well as research on industrial and commercial practices.

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Epistrophy: Jazz, philosophy and philosophers

Posted: May 11th, 2018 | Filed under: Calls for Papers | No Comments »

Call for papers for issue #4
Coordination : Joana Desplat-Roger, Thomas Horeau, Édouard Hubert
Translation : Pauline Ridel

This latest issue of Epistrophy suggests interpolating jazz through a specific prism : that of philosophy.

Now, philosophy is a discipline that is characterised not so much by its subject, because that is not restricted to a specific area, but by the very particular way in which it conducts discussion of its subject. Philosophy, by taking throughout its history a suspicious attitude to language in general, and to artistic terminology in particular (what does « playing » music mean ? Do musicians « express themselves » through their art ?, etc.), has made music a fully fledged philosophical issue [1].

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Groove the City

Posted: May 3rd, 2018 | Filed under: Calls for Papers | No Comments »

‘Groove the City’ – Urban Music Policies between Informal Networks and Institutional Governance is the 1st international conference of the Urban Music Studies Network that will be held from Nov. 23rd to 25th, 2018 at Leuphana University of Lueneburg. We would kindly like to remind you that the deadline for the conference´s call for papers is approaching and – again like to encourage the submission of paper presentations, panels and posters.

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Popular Music and the Anthropocene

Posted: April 29th, 2018 | Filed under: Calls for Papers | No Comments »

Special issue of Popular Music
https://www.cambridge.org/core/journals/popular-music/article/popular-music-and-the-anthropocene-call-for-articles/2B5F3F43E89DE87FB651F483ECBD4658
François Ribac (University of Burgundy/IRCAM-APM) and Paul Harkins (Edinburgh Napier University)

Many geologists, climatologists, philosophers, historians, sociologists, activists, and Non-Governmental Organisations believe that our planet has now entered into the anthropocene era (Bonneuil & Fressoz 2013). The common idea is that human activities now have a decisive effect on the earth’s ecosystem: the fast and increasing disappearance of a considerable number of plant and animal species, the melting of glaciers and pack ice, rising sea levels, extreme climatic events, and pollution. These phenomena impact on human activities, leading to forced migrations, the pauperisation of entire communities (often those least responsible for climate change), and, ultimately, to major upheavals. The goal of this special issue of Popular Music is to understand how popular music should and can be described, analysed, and transformed in the Anthropocene, considered both as a concept as well as a material process.

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Things Have Changed: Twenty-First-Century Dylan

Posted: April 29th, 2018 | Filed under: Calls for Papers | No Comments »

International Conference at Artois University, Arras, France
Thursday 6th-Friday 7th December 2018

Guest of Honour: Professor Sir Christopher Ricks

Ever since the early 1960s, Bob Dylan has never ceased to evolve. Hiscreativity remains as powerful as ever in the twenty-first century. Hencethe international symposium “Things have changed: Twenty-First-CenturyDylan” will focus primarily on contemporary Dylan. A theorization can bemade based on the work of Edward Saïd or Theodor Adorno (see Essays onMusic, 1993, quoted by Saïd). Said asserts that the late style of the artist is marked by “intransigence, difficulty, and unresolved contradictions” (E. Saïd, On Late Style: Music and Literature Against the Grain, New York: Pantheon Books, 2006, 7).

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