Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

IASPM Early Career Researcher Conference

Posted: May 27th, 2021 | Filed under: Calls for Papers, IASPM Conferences | No Comments »

IASPM Early Career Researcher Conference, October 21st 2021

IASPM warmly welcomes papers from emerging academics* for a day-long conference that will take place this coming Autumn. This event aims to bring together scholars with new and exciting ideas to discuss and share their work at the vanguard of popular music studies. There is no restriction on topic area, however applications prioritising new work are strongly encouraged. In particular, we are seeking papers that address current concerns in popular music, such as:

  • gender equity in the music business
  • music and social justice
  • music education and decolonising the curriculum
  • popular music in the digital age
  • music and wellbeing
  • live music and night-time economies post-COVID 19
  • income streams and business models in the music industries
  • popular music and the environment

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Afro-Futurism. Arena Rap. The Self-Producer. A Popular Music Research Day

Posted: April 21st, 2021 | Filed under: IASPM Conferences, News | No Comments »

Join us for an interactive Popular Music Studies Research Day with renowned speakers Laina Dawes, Steve Waksman and Paula Wolfe. Register here: https://www.eventbrite.co.uk/e/afro-futurism-arena-rap-the-self-producer-a-popular-music-research-day-tickets-151480441077

Join us for an interactive Popular Music Studies Research Day with renowned speakers Laina Dawes, Steve Waksman and Paula Wolfe to discuss: what it means to be a black artist, the advent of arena rap, and the poetry of the recording studio.

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Big Sounds from Small Places

Posted: December 15th, 2020 | Filed under: Calls for Papers, IASPM Conferences | No Comments »

IASPM Canada Annual Conference 2021 Call For Papers
Virtual Conference
7 – 18 June 2021

Submission Deadline: 15 January 2021

As we enter into a new decade it’s apt to question our place in the world. Almost sixty years ago, Marshall McLuhan notably coined the term Global Village to refer to the global spread of media content and consumption, and yet Canada still struggles with its position in the world as an imposing landmass with a relatively small population, and how that influences where and how its cultural texts are encountered. This conference seeks to address the concept of voice and sound as tied to space and place, in the broadest sense. In regards to popular music in Canada, we have established a strong identity, but one that is often defined in opposition to our more vocal neighbours to the South. As we continuously define and redefine Canadian cultural identity, and cultural outputs, this conference questions how our musical landscape has historically adapted, and will continue to adapt, to an increasingly globalized environment.

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“Climates of Popular Music”, 21st Biennial Conference of the International Association for the Study of Popular Music

Posted: June 8th, 2020 | Filed under: Calls for Papers, IASPM Conferences | No Comments »

The most pressing issue for humanity in the 21st century is global climate, and thus IASPM’s 21st Conference turns its attention towards this subject. Whereas our 20th anniversary conference considered where we have been, we now ask where we are now, what we are doing as a species, and what impact it has on our communities and our world. On a planet increasingly interconnected by a dizzying array of media channels, such a discussion has to be broadly framed. Our planet’s climate is impacted by numerous forms of human activity, including those that are individual, personal, local, communal, institutional, commercial, corporate, cultural, political, and international. This conference invites presentations that ask how popular music relates to our climate, where climate relates to any part of the totality of surrounding conditions and circumstances affecting growth or development. By “climate,” we intend to include a range of definitions, including ecological climate, political climates, socio-political climates, and contextual and individuated climates. We ask presenters to consider the impacts of activities related to popular music and its cultures on variously defined climates, and the impacts of changing or changed climates on different popular music and its contexts.

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IASPM UK&I London Calling Conference

Posted: May 18th, 2020 | Filed under: IASPM Conferences, News | No Comments »

IMPORTANT INFO FOR THOSE PLANNING TO ATTEND THE ONLINE CONFERENCE:

  1. If you haven’t registered on Eventbrite by 5pm UK time on Monday 18th May (Click Here To Register) we can’t guarantee we can process you in time for the first keynote on Tuesday with Mykaell Riley – although you will still be able to watch it on the website – just not participate in the discussion. You can continue to register after that and we will process people as quickly as we can.
  2. On Tuesday morning we will email everyone who has registered with the conference login details. People who register later will be emailed separately.
  3. We can only let 100 people into the keynote Zoom sessions but you can also watch the session live on the website and use the comments section to ask questions. (There are nearly 200 people registered at the moment and still rising). Details of the ‘door policy’ for the Zoom session will be announced in the login email on Tuesday morning.
  4. Every week there will be some streamed performances after the keynote and, for the most part, they are musicians without other income so please support them by contributing something through the PayPal.Me links under the YouTube Live screens on the website.

The website for the event is here: https://london-calling-iaspm2020.com