El oído pensante
Posted: September 21st, 2016 | Filed under: Calls for Papers | Comments Off on El oído pensanteEl oído pensante invites the submission of articles for the fifth volume (No. 1, 2017)
The aim of this biannual peer-reviewed online journal of free access is to promote debate on theoretical, methodological and epistemological dilemmas faced by different kind of music research. Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to analyzing particular cases will not be accepted. However, it is expected that authors bring some cases into the text in order to support their main ideas. Submission guidelines in http://ppct.caicyt.gov.ar/index.php/oidopensante/about/submissions#authorGuidelines.
Papers in Spanish, Portuguese and English will be accepted by September 30, 2016.
Indexing: Latindex – catálogo; Répertoire International de Littérature Musicale; Núcleo Básico de Revistas Científicas Argentinas
Endorsements: Caicyt-Conicet – Instituto de Ciencias Antropológicas (Facultad de Filosofía y Letras, UBA)
Contact: [email protected] – http://ppct.caicyt.gov.ar/index.php/oidopensante
Director and editor – Miguel A. García
Associate editor – Juliana Guerrero
Editing – Daniela Anabel González
Assistant editors – Bernd Brabec de Mori, Matthias Lewy, Ana Flavia Miguel, Pedro Aragão
Advisory Committee
Beverley Diamond (Research Centre for the Study of Music, Media and Place, Memorial University)
Sydney Hutchinson (Department of Art and Music Histories, Syracuse University)
Rafael José de Menezes Bastos (Departamento de Antropologia, Universidade Federal de Santa Catarina)
Allan Moore (Department of Music and Sound Recording, University of Surrey)
Ana María Ochoa (Music Department, Columbia University)
Timothy Rice (Herb Alpert School of Music, University of California, Los Angeles)
Irma Ruiz (Instituto de Ciencias Antropológicas, Universidad de Buenos Aires – Consejo Nacional de Investigaciones Científicas y Técnicas)
Jonathan Sterne (Department of Art History & Communication Studies, McGill University)
Ulrich Wegner (Institut für Musik und Musikwissenschaft, Stiftung Universität Hildesheim)