Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

El oído pensante

Posted: January 9th, 2018 | Filed under: Calls for Papers | Comments Off on El oído pensante

Volume 6 (No. 2, 2018)

The aim of this biannual peer-reviewed online journal of free access is to promote debate on theoretical, methodological and epistemological dilemmas faced by different kind of music research. Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to analyzing particular cases will not be accepted. However, it is expected that authors bring some cases into the text in order to support their main ideas. Submission guidelines in:

http://ppct.caicyt.gov.ar/index.php/oidopensante/about/submissions#authorGuidelines.

Papers in Spanish, Portuguese and English will be accepted by March 31, 2018.

Indexing: Latindex – catálogo; Répertoire International de Littérature Musicale; Núcleo Básico de Revistas Científicas Argentinas; Dialnet; Directory of Open Access Journals (DOAJ); Repositorio Digital Institucional de la Universidad de Buenos Aires; International Scientific Indexing (ISI); ERIH PLUS; Red Iberoamericana de Innovación y Conocimiento Científico (REDIB)

Contact: [email protected] – http://ppct.caicyt.gov.ar/index.php/oidopensante

Director y editor / Director and editor

Miguel A. García

Editora asociada / Associate editor

Juliana Guerrero

Producción editorial / Editing

Daniela Anabel González

Asistentes de edición / Assistentes de edição / Assistant editors

Bernd Brabec de Mori, Matthias Lewy, Ana Flavia Miguel, Pedro Aragão

Comité Asesor / Advisory Committee

Beverley Diamond

(Research Centre for the Study of Music, Media and Place, Memorial University)

Sydney Hutchinson

(Department of Art and Music Histories, Syracuse University)

Rafael José de Menezes Bastos

(Departamento de Antropologia, Universidade Federal de Santa Catarina)

Allan Moore

(Department of Music and Sound Recording, University of Surrey)

Ana María Ochoa

(Music Department, Columbia University)

Timothy Rice

(Herb Alpert School of Music, University of California, Los Angeles)

Irma Ruiz

(Instituto de Ciencias Antropológicas, Universidad de Buenos Aires – Consejo Nacional de Investigaciones Científicas y Técnicas)

Jonathan Sterne

(Department of Art History & Communication Studies, McGill University)

Ulrich Wegner

(Institut für Musik und Musikwissenschaft, Stiftung Universität Hildesheim)