Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

Andrew Goodwin Memorial Prize

Andrew Goodwin was a key figure in the development of popular music studies.  His background was in media and cultural studies: he received his Ph.D. in Cultural Studies from the University of Birmingham and taught for many years in the Department of Media Studies at the University of San Francisco.  He was a pioneer of the scholarly analysis of music video (in his book, Dancing in the Distraction Factory. Music Television and Popular Culture, for example, which drew on his previous work on television) and an astute critic of the use of postmodern theory in popular cultural studies.  But his work also reflected his experiences as a working musician and critic (experiences explored in his entertaining Professor of Pop blog), and his articles on such topics as music technology and the concept of world music remain models of clear-eyed common sense and analytic insight, informed as much by practice as theory.   As a teacher, colleague and friend, Andrew was an untiring source of ideas, enthusiasm and support, and his untimely death, in September 2013, was a huge loss to all of us in IASPM.  The Andrew Goodwin Memorial Prize was established in 2014 as a fitting tribute to his generosity to younger scholars.

Aim: To promote popular music research and to support new scholars.

Eligibility: Postgraduate students who are currently registered at universities and colleges in the U.K. and Ireland and who are members of IASPM. Current students and IASPM UK-I members who submitted essays for the AGMP in previous years but were unsuccessful may apply again; however, they are not allowed to submit the same essay (or essay topic) twice. Previous winners of the AGMP may not apply again.

Awarded for: Essay of 3,000 to 4,000 words, on any aspect of popular music from any disciplinary perspective.

Prize: First prize is £1,000, with the runner-up receiving £500. Both the winner and runner-up essays will be published on the Andrew Goodwin Memorial Prize web page on the IASPM UK and Ireland website.

Dates:  Submissions to open 1 October 2019 and close 31 December 2019.  Decision announced 1st May following year. Prize awarded at IASPM-UK conference (and at IASPM international conference alternate years).

Panel of judges:  The 2019-20 panel of judges is Matt Brennan, Simon Frith, Rosemary Lucy Hill, and Katia Iskakoff.

Guidelines for submission

Submissions should be in either a Microsoft Word (.doc or .docx) or .RTF document file format, with double-spaced, 11-point in Arial font text (quotations larger than 40 words indented, in 10-point text). The student’s name and institution should appear on a title page as part of the essay document. PDF files cannot be accepted. All submissions should follow the Harvard Referencing Guide.

Essays should be submitted by 31 December 2019 to the following e-mail address: [email protected].

2019

WINNER

Raquel Campos: Musicking on Social Media: Imagined Audiences, Momentary Fans and Civic Agency in the Sharing Utopia

Raquel Campos is a PhD candidate in Arts and Creative Industries at London South Bank University, where she recently submitted her thesis entitled “Understanding Musicking on Social Media: Music Sharing, Sociality and Citizenship”. Her research investigates why audiences post and circulate music media online through examining musicking activities on social media and streaming platforms as forms of culture-making.

RUNNER-UP

Pablo Infante-Amate: Where is Class When They Dance? The Temblete Craze in Equatorial Guinea

Pablo Infante-Amate is a PhD student in Ethnomusicology at the University of Oxford. His doctoral research explores the centrality of the state in the constitution of the popular music economy in Equatorial Guinea, and the transformations afforded by a recent oil boom and by the introduction of digital technologies and the Internet. Pablo holds degrees in music education, musicology, and percussion performance from several Spanish universities and completed his MA in Ethnomusicology at UCLA with the support of a Fulbright scholarship. He is also the recipient of a 2017 British Forum for Ethnomusicology Fieldwork Grant.

Previous winners

2018 – Maisie Hulbert: “Respect is just a minimum”: Self-empowerment in Lauryn Hill’s “Doo-Wop (That Thing)”

2017 – Ellis Jones: “I do it for the love”: Pop music and aspirational labour

2016 – Alexander C. Harden: A World of My Own

2015 – Ben Assiter: Basic Channel and Timelessness: Negotiating Canonisation, Resemblance and Repetition in House and Techno