Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

Staging popular music: sustainable music ecologies for artists, industries and cities

Posted: May 4th, 2021 | Filed under: Calls for Papers | No Comments »

Erasmus University Rotterdam, the Netherlands, 3-4-5 November 2021

AIMS
This conference focuses on the intersection between key transformations in the popular music industries. Music represents and generates value on various levels from the individual to the global, and in many different spheres from the cultural and social to the economic and political. Popular music is staged through multiple platforms, actors, businesses, intermediaries and policies. The current COVID-19-crisis both challenges the music industries and acts as a catalyst of new digital innovations. This is a vital moment to (re)consider the future directions of the music industries. While the music industries are characterized by continuous change and transformation, significant disruptions have always impacted its resilience. Such disruptions can be external shocks, including the current crisis, new technologies, political change or aesthetic-cultural innovations. From an ecological perspective, all transformations force the industry to reshape and rethink itself. This will likely result in both positive as negative consequences. We need to critically reflect on what the immediate and long-term future of music ecologies entails, who benefits and who suffers from such disruptions.

Focusing on a select number of interrelated themes, this conference aims to bring together scholars and professionals from various countries and disciplines. Participants bring their own perspective to the stage in an international exchange of ideas and current research insights about the contemporary music industries.

THEMES
The Music Business Research Days offer an interdisciplinary forum at the intersection of economic, artistic, cultural, social, legal, technological and further developments which contribute to the creation/production, dissemination/ distribution and reception/consumption of music. This interdisciplinary nature calls for methodological multiplicity and is open to scholars from all scientific areas. We invite submission of papers on – but not strictly limited to – the themes and example questions below:

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