Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

Punk Scholars Network Annual Conference

Posted: June 29th, 2020 | Filed under: Calls for Papers | No Comments »

12th – 19th December

A virtual, online, global conference spanning eight days is being brought together by the Punk Scholars Network – be a part of it.
Punk is a truly global phenomenon that manifests in myriad ways in different scenes, political regimes, cultural contexts and individual experiences. Punk is many things to many people and seldom remains static over a lifetime. Increased globalisation, changes in connectivity and technology, and shifts in both capitalism and populism have impacted punk for better and worse. International and intranational punk scenes and connections are growing and finding commonality and conflict through music, education, mutual aid, performance, political activism and human behaviours. The global Coronavirus pandemic has laid bare the differences people face accessing resources and how governments respond. How have, and how will, various local punk scenes respond to this crisis, and what does their response tell us about punk as a global phenomenon?

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Tracing Disgust: Cultural Approaches to the Visceral

Posted: June 17th, 2020 | Filed under: Calls for Papers | No Comments »

Article Proposals for an edited collection edited by Max Ryynänen, Susanne Ylönen & Heidi Kosonen.

We often recoil at the thought of mold gathering at the dishes used for eating, of bad breath on a person we do not specifically like, or of a spider walking across our body. Disgust, exemplified in these classic illustrations, is probably the most visceral of the basic human emotions. Some argue that it engages in particular the so called lower senses — taste, smell and touch —with a function for an organism’s preservation. It is also one of the recognized ”moral emotions,” functioning symbolically on social and cultural scales and serving, for example, as an instrument of political discourses. This can be traced in different examples, such as the discrimination of sexual minorities or the populist rhetorics of racist and fascist movements.

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Edited Collection on “New York City in Song”

Posted: June 16th, 2020 | Filed under: Calls for Papers | No Comments »

New York City has one of the richest musical histories in all of the US, and has been the subject of an astonishing number of songs – something that has so far not been comprehensively addressed in academic works.

Thus, the proposed volume under the working title “New York City in Song” wants to analyze songs written about New York City, and engage with the depiction of the city within them, but also use it as a way to deal with several musical genres that the city has been home to, and was instrumental in developing. These include the vaudeville and musical theater scene on Broadway and beyond, but also hip hop, disco, punk, folk, jazz, swing, rock or pop music. It will therefore contribute to both the fields of urban studies and popular music studies, which have become well-developed areas of study over the recent years, but are still lacking specialized literature – especially such that considers their intersections.

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Journal of Music, Health, and Wellbeing

Posted: June 14th, 2020 | Filed under: Calls for Papers | No Comments »

The Role of Music during COVID-19: Short-term Challenges through Technology, Wellbeing, Industry, & Education.

Note: Many thanks to those who have already submitted: we currently have a prospective collection of around 20 accepted articles (subject to peer-review). We are now looking to improve the span of the studies across 4 distinct areas (see below). An up-to-date list of our forthcoming related project outputs can be accessed via the ‘New Research’ Tab, at: www.musichealthandwellbeing.co.uk/new-research

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“Melodies and Maladies: Musical Responses to Plagues and Pandemics”

Posted: June 9th, 2020 | Filed under: Calls for Papers | No Comments »

Call for Chapters
Editors Dr. Brent Keogh and Prof. Phil Hayward

Equinox Publishing

Chapter proposals are invited for a collected edition on the theme of musical responses to plagues and pandemics. This book will chart a historical trajectory of musical responses to plagues and pandemics, providing a critical historical perspective on the lived experiences in the present. By focusing on major plagues, outbreaks, and pandemics, such as the Black Death, the Spanish flu, SARS, and Zika virus, we aim to historically contextualise musical responses to such disasters. In addition to charting historical contexts, this collection will address ways in which musicians have harnessed digital technologies to create forms of patronage, connect with fans, rehearse with band members, and network with peers and industry. The volume will also discuss musical responses in terms of the intersections of class and race, where social distancing is virtually impossible for some classes of people due to their specific living conditions, or where the prevailing Government policy is to “let it rip”, to allow a virus to sweep through the population for reasons of “herd immunity”, economic stability, or an under-resourced medical system. This edition will provide a timely work that not only accounts for the exceptional times we are living in, but sheds light on this time by thinking historically through musical responses to plagues and pandemics and suggesting manners in which future ones may be navigated by cultural producers and audiences.

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