Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

Special Issue of Rock Music Studies: The Beach Boys

Posted: March 8th, 2018 | Filed under: Calls for Papers | No Comments »

Guest-edited by Erica K. Argyropoulos, Northeastern State University

“…The Beach Boys weren’t just a fun 1960s surf band…Once you’ve absorbed [Pet Sounds], you find yourself going back through songs like “Don’t Worry Baby,” “The Warmth of the Sun,” and “I Get Around,” finding a deeper brilliance where you once only heard pop craftsmanship.” – Mark Richardson, Executive Editor, Pitchfork

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“Groove the City” – Urban Music Policies between Informal Networks and Institutional Governance

Posted: March 7th, 2018 | Filed under: Calls for Papers | No Comments »

International symposium of the Urban Music Studies Scholars Network in collaboration with the Institute of Sociology and Cultural Organization, Leuphana University of Lüneburg, Germany
Date:     November 23, 24 and 25, 2018
Place:    Leuphana University of Lüneburg
Contact: Leuphana Institute of Sociology and Cultural Organization ISCO
[email protected]

With their social, material and cultural resources, cities have been and still are a precondition for the emergence and flourishing of music scenes; they are central turning points of the production, distribution and consumption of acoustic capital. The close connection between music and the city has been illustrated by genre terms such as Viennese Waltz, New Orleans Jazz, Chicago Blues and Liverpool Sound or trademarks such as London Symphony, Salzburg Festival or Hamburg State Opera. They point out to municipalities where an orchestra, a school or a group is situated, the town where particular events take place, or specific urban conditions from which specific musical genres originate. The relationship between the two, city and music, is dynamic and reciprocal. Music is a central part of urban culture; it forms communities and acts as a symbolic resource, contributing to the self-awareness of its inhabitants as being “urban” and in some cases even to the cultural identity of the city itself. And the “urban” is a central part of music; music mines and scoops urban particularities, and musical compositions are shaped by the urban settings they have been created in.

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Jazz and Everyday Aesthetics

Posted: March 7th, 2018 | Filed under: Calls for Papers | No Comments »

A Special Issue of the Jazz Research Journal

Guest Editors: Nicholas Gebhardt (Birmingham City University, UK) and Roger Fagge (University of Warwick, UK)

This issue addresses questions and issues in jazz studies and everyday aesthetics through a broad lens that embraces a variety of experiences and a wide range of approaches and methodologies. Submissions on any treatment of jazz and everyday aesthetics are welcome, but papers addressing the following themes are especially encouraged:

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AES UK Mastering Section Conference 2018 (AES:MSC’18)

Posted: March 1st, 2018 | Filed under: Calls for Papers | No Comments »

22 – 23 September 2018
University of Westminster, Regent St, London, UK & locations nearby

Keynotes to be confirmed shortly

Full event details can be found at the conference website:

Sponsors to be confirmed

Call for Papers & Engineering Briefs

The AES UK Mastering Section Conference welcomes academics, mastering engineers, producers, artists, industry professionals, technology developers and equipment manufacturers to come together and submit abstracts, engineering briefs or workshop proposals for consideration on a wide range of topics including:

  • Mastering past, present & future
  • Mastering technology & practice
  • Innovation in audio relating to mastering & post-production
  • Business matters relating to mastering & post-production

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