Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

Symposium for Digital Musicology

Posted: April 3rd, 2017 | Filed under: Calls for Papers | No Comments »

1st September 2017
Senate House W1CE 7HU London UK

Symposium for Digital Musicology is a one day event that aims to bring together scholars from various musicological fields and computer scientists in order to generate a discussion about digital musicology – an interdisciplinary field in which new technologies are applied to musicological research. Digital techniques have been used more often within humanities in fields outside of musicology, for example in palaeography, history, art history, and many others. The field of digital musicology remains an active field with research done by computer scientists and programmers who have built a broad range of tools that could be used by musicologists and ethnomusicologists, but these tools do not usually meet their potential on this side of the research spectrum. These digital tools could both be timesaving and provide opportunities to new methodologies (e.g. big data, timbral analysis, automated transcription, etc.).

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ISSTA 2017 International Festival and Conference on Sound in the Arts, Science and Technology

Posted: April 3rd, 2017 | Filed under: Calls for Papers | No Comments »

Sept 7th-8th 2017
Dundalk Institute of Technology, Ireland

Website: http://issta.ie/call-for-submission-2017/


Peter Kirn (Editor–in–Chief, CDM: Create Digital Music) http://cdm.link/

Dr Theresa Dillon (Artist–Researcher, Professor of City Futures at Watershed and University of the West of England, Bristol) http://www.polarproduce.org

Deadline for submissions

Submissions are due Monday 17th April. Notifications will be sent by Friday 9th June.

ISSTA 2017: Sound–Makers: technologies, practices and cultures

Creative audio and visual practices are increasingly moving from the digital sphere into the ‘real’ world––moving from bits to atoms (Ishii and Ullmer, 1997)––as physical computing technologies continue to become more widely affordable and accessible. Custom–made and repurposed controllers, gestural interfaces and intentionally hackable or reconfigurable instruments now support the creation and control of music and audio-visual media outside the mouse and keyboard paradigm and beyond normative models based on previously–established practices.

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