Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

Music and Democracy: beyond Metaphors and Idealization

Posted: October 18th, 2018 | Filed under: Calls for Papers | No Comments »

21 June 2019
University of Huddersfield
https://musicdemocracystudydays.wordpress.com

Convened by Igor Contreras Zubillaga (British Academy Postdoctoral Fellow, University of Huddersfield) and Robert Adlington (University of Huddersfield)
Keynote speaker: Esteban Buch (CRAL/EHESS, Paris)

Democracy has been an ideal for musicians throughout the twentieth century and into the twenty-first. Musicians working in fields including modern composition, jazz, improvisation, orchestral social inclusion projects, and online networked performance have been drawn to democracy as a metaphor and ideal for legitimising their practice. How are we to understand such appeals to the concept of democracy, in the musical field? Although the concept of democracy tends spontaneously to arouse approval and adherence, consideration should be given to the great diversity of uses that have been made of it (and continue to be made nowadays), the multiplicity of forms of democracy, and the historicity of democratic systems. These complex facets of democracy became especially apparent in the political context of transition to democracy after an authoritarian regime, leading to a struggle between different ‘ideas’ of democracy. Therefore, a careful scrutiny of what ‘democratic’ means and a close analysis of the relations being produced, for whom, and why, seem necessary in each particular case.

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Music and Social Movements: A one-day symposium at Northumbria University

Posted: October 11th, 2018 | Filed under: Calls for Papers | No Comments »

30 November 2018

This symposium, funded by the US Embassy and Northumbria University, will bring together academic historians, graduate students, and teachers to examine the role that music played in various oppositional social movements that were active in the post-World War II period in the United States.

Participants will think through how we teach and write about the ways that popular music relates to minority group understanding, political protest, religious identity, and more. Topics for discussion will include Live Aid, feminism, oral history, protest, civil rights, and Childish Gambino’s ‘This is America.’ The event will include an interactive workshop at which participants will discuss how we interrogate and use documents related to music.

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Hip-Hop in the Golden Age

Posted: October 4th, 2018 | Filed under: Calls for Papers | No Comments »

Jacobs School of Music
Indiana University, Bloomington
February 16–17, 2019 

In honor of black history month, and in celebration of the 30th anniversary of De La Soul’s groundbreaking album 3 Feet High and Rising, Indiana University’s Jacobs School of Music presents the interdisciplinary conference “Hip-Hop in the Golden Age.” Our keynote speaker will be Prince Paul (Paul Huston) of De La Soul.

Hip-hop’s golden age (ca. 1988–95) was a time of unprecedented creativity. Having crossed over into mainstream culture but not yet bound by the restrictions of major labels, rappers and producers explored seemingly limitless avenues of beat production, flow, and lyrical topics. This conference will explore any and all aspects of the golden age of hip-hop, including the historical circumstances that gave rise to it, and its impact on later artists: thus, paper presentations need not deal explicitly with hip-hop produced during that time. We envision this as an interdisciplinary conference, and welcome proposals from scholars in a variety of different disciplines, including those outside music.

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Popkongress 2019: Popular Articulations – Articulations of the Popular

Posted: September 25th, 2018 | Filed under: Calls for Papers | No Comments »

11th Annual Meeting of the AG Populärkultur und Medien Gesellschaft für Medienwissenschaft (GfM)
Universität Passau
Lehrstuhl für Deutsche Sprachwissenschaft Prof. Dr. Rüdiger Harnisch

14–16 February 2019

Generally speaking, the term ‘articulation’ stands for a way of expressing something and represents how a particular expression is applied. In addition, the term is used in different scientific communities. For example, in phonetics it refers to the actions that produce spoken sounds. In music, the use of the term ‘articulation’ relates back to phonetics because with the help of musical articulation different sounds can be separated from each other, allowing the music to speak. Finally, articulations can also be understood as part of social and pop cultural praxis.

These examples show the huge potential of the term ‘articulation’, which stands at the centre of the 11th annual meeting of the AG Populärkultur at the University of Passau. In addition, the conference will be open to further definitions and interpretations of the term, which – in the sense of ‘expressing something’ – can represent all language- and non-language-based forms of expression as well as social practices. Therefore, various approaches to linguistic and non-linguistic topics, social phenomena and their influences on popular culture are welcome. In accordance with the traditions of the GfM-AG Populärkultur und Medien, all forms of popular articulations and articulations of the popular, especially within the media context (e.g. in language, music, and image) and their interactions and reflections which have an impact on social communication, are considered in this field of research.

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Rhyme and Rhyming in Verbal Art and Song

Posted: September 19th, 2018 | Filed under: Calls for Papers | No Comments »

Helsinki, Finland, 22nd – 24th May 2019

During Medieval times, end rhyme became a key device for demarcating poetic lines in European and Arabic cultures. Besides characterizing a longstanding literary tradition, end rhyme and rhyme patterns became central structural and sonic elements in oral and oral-literary traditions worldwide. In oral performance, rhyme stands for aesthetics, creativity and memory: memorization as well as the exploitation of working memory in lyrical improvisation. In verbal art and song, rhymed registers continue to deploy the poetic potential of language for situated communication and meaning over changes in fashion and the coming of new musical styles.

This conference is intended to promote cross-disciplinary analysis and understanding of the role and aesthetics of rhyme in the poetics of sound and meaning. Our focus is especially upon the history and universality of rhyme as well as its particularities in various performed oral and popular registers.

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