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		<title>Pop-Life: The Value of Popular Music in the Twenty First Century</title>
		<link>http://www.iaspm.org.uk/pop-life-the-value-of-popular-music-in-the-twenty-first-century/</link>
		<comments>http://www.iaspm.org.uk/pop-life-the-value-of-popular-music-in-the-twenty-first-century/#comments</comments>
		<pubDate>Fri, 07 Jun 2013 18:31:42 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=478</guid>
		<description><![CDATA[The University of Northampton, United Kingdom 6th and 7th June 2014 It has increasingly become a truism to suggest that contemporary popular music practice is in a state of flux. Established patterns of consumption, distribution and production have at the very least been revolutionised by the opportunities afforded by digitalisation and the internet. While subcultural [...]]]></description>
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		<title>IASPM UK and Ireland Postgraduate Conference 2013: The Cultural Value of Popular Music</title>
		<link>http://www.iaspm.org.uk/iaspm-uk-and-ireland-postgraduate-conference-2013-the-cultural-value-of-popular-music/</link>
		<comments>http://www.iaspm.org.uk/iaspm-uk-and-ireland-postgraduate-conference-2013-the-cultural-value-of-popular-music/#comments</comments>
		<pubDate>Thu, 16 May 2013 06:41:35 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>
		<category><![CDATA[IASPM Conferences]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=473</guid>
		<description><![CDATA[5th and 6th September, University of Glasgow The 2013 IASPM UK and Ireland postgraduate conference, to be held at the University of Glasgow, invites papers exploring the cultural value of popular music.  In light of the AHRC’s recently launched two-year Cultural Value Project (www.ahrc.ac.uk/funded-research/funded-themes-and-programmes/cultural-value-project), the conference will focus on both the experience of popular music [...]]]></description>
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		<title>Music &#124; Digitisation &#124; Mediation &#8211; Towards Interdisciplinary Music Studies</title>
		<link>http://www.iaspm.org.uk/music-digitisation-mediation-towards-interdisciplinary-music-studies/</link>
		<comments>http://www.iaspm.org.uk/music-digitisation-mediation-towards-interdisciplinary-music-studies/#comments</comments>
		<pubDate>Thu, 18 Apr 2013 07:54:57 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=468</guid>
		<description><![CDATA[Music is being fundamentally transformed by digitisation and digital media. With the growth of internet access across the developing and the developed world, and the accelerating appearance of mobile and new media platforms in which music plays a critical affective role in attaching users, digitisation is fostering a range of escalating changes that radically alter [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>No Sir, I Won’t: Reconsidering the Legacy of Crass and Anarcho-punk</title>
		<link>http://www.iaspm.org.uk/no-sir-i-wont-reconsidering-the-legacy-of-crass-and-anarcho-punk/</link>
		<comments>http://www.iaspm.org.uk/no-sir-i-wont-reconsidering-the-legacy-of-crass-and-anarcho-punk/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 08:26:18 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=452</guid>
		<description><![CDATA[Friday 28th June 2013 Organised by Oxford Brookes’ Popular Music Research Unit (PMRU) in association with the Network of Punk Scholars (NPS).  20 years since legendary anarcho-punk group Crass released their highly challenging LP Yes Sir, I Will, this symposium will explore the impact and long-lasting legacy of Crass and anarcho-punk. Crass are widely perceived as [...]]]></description>
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		<title>Music, Music Making and Neoliberalism</title>
		<link>http://www.iaspm.org.uk/music-music-making-and-neoliberalism/</link>
		<comments>http://www.iaspm.org.uk/music-music-making-and-neoliberalism/#comments</comments>
		<pubDate>Wed, 13 Feb 2013 09:42:59 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=448</guid>
		<description><![CDATA[Call for Papers: Special Issue of Culture, Theory and Critique  Music, Music Making and Neoliberalism Theorizing the relationship between music and capitalist processes has been an ongoing concern for scholars in a number of disciplines.  Marx’s passing characterization of music as a form of unproductive labor, at worst a form of labor in a process [...]]]></description>
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		<title>Popular Music and Society &#8211; Special Issue on The Sex Pistols</title>
		<link>http://www.iaspm.org.uk/popular-music-and-society-special-issue-on-the-sex-pistols/</link>
		<comments>http://www.iaspm.org.uk/popular-music-and-society-special-issue-on-the-sex-pistols/#comments</comments>
		<pubDate>Sun, 20 Jan 2013 10:52:40 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=445</guid>
		<description><![CDATA[Submissions are invited for a special edition of Popular Music and Society that examines the legacy of one of punk rock’s most infamous and seminal bands, the Sex Pistols.  Despite their brief initial incarnation (1975-1978), the Sex Pistols profoundly influenced punk music and culture and, in Greil Marcus’s words, &#8220;did so much to make the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Ludomusicology Conference 2013</title>
		<link>http://www.iaspm.org.uk/ludomusicology-conference-2013/</link>
		<comments>http://www.iaspm.org.uk/ludomusicology-conference-2013/#comments</comments>
		<pubDate>Tue, 18 Dec 2012 13:48:26 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=434</guid>
		<description><![CDATA[12–13 April 2013, University of Liverpool Challenges and Innovations http://www.ludomusicology.org The Ludomusicology research group will be hosting a two day conference on video game audio to take place on the 12th and 13th of April, 2013 at Liverpool University. Building upon the foundation of last year’s successful RMA Study Day, the conference will include research papers [...]]]></description>
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		<title>IASPM Journal: Special Issue on Popular Music Performance</title>
		<link>http://www.iaspm.org.uk/iaspm-journal-special-issue-on-popular-music-performance-2/</link>
		<comments>http://www.iaspm.org.uk/iaspm-journal-special-issue-on-popular-music-performance-2/#comments</comments>
		<pubDate>Tue, 04 Dec 2012 13:35:08 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=430</guid>
		<description><![CDATA[Submission deadline: 1 March 2013 Music performance forms part of ongoing debate amongst IASPM members, leading to innovative research that addresses mediation and embodiment; spectacle and immersion; technology and music. IASPM Journal, the Journal of the International Association for the Study of Popular Music, wishes to provide a platform for these debates with a special [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>IASPM@Journal: Special Issue on Popular Music Journalism</title>
		<link>http://www.iaspm.org.uk/iaspmjournal-special-issue-on-popular-music-journalism/</link>
		<comments>http://www.iaspm.org.uk/iaspmjournal-special-issue-on-popular-music-journalism/#comments</comments>
		<pubDate>Tue, 18 Sep 2012 10:28:59 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=421</guid>
		<description><![CDATA[Music journalism forms part of ongoing debate amongst IASPM members, in terms of music criticism, industry interests and identity politics. IASPM@Journal, the Journal of the International Association for the Study of Popular Music, wishes to provide a platform for these debates with a special issue on popular music journalism for publication at the end of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Cultural Translation in Popular Music</title>
		<link>http://www.iaspm.org.uk/cultural-translation-in-popular-music/</link>
		<comments>http://www.iaspm.org.uk/cultural-translation-in-popular-music/#comments</comments>
		<pubDate>Mon, 17 Sep 2012 08:58:04 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=418</guid>
		<description><![CDATA[University of Central Lancashire, Preston, 12-13 April 2013 Part of LIVE! Festival in Preston Popular music is known for its hybrid and transcultural character. It feeds on earlier styles, cultural artefacts and different art forms and travels from country to country. At the same time, it also affects other art forms, such as cinema and [...]]]></description>
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