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	<description>UK and Ireland branch</description>
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		<title>Bridge Over Troubled Waters: Challenging Orthodoxies</title>
		<link>http://www.iaspm.org.uk/bridge-over-troubled-waters-challenging-orthodoxies/</link>
		<comments>http://www.iaspm.org.uk/bridge-over-troubled-waters-challenging-orthodoxies/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 10:01:58 +0000</pubDate>
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				<category><![CDATA[IASPM Conferences]]></category>

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		<description><![CDATA[IASPM 17th Biennial Conference 24-28 June 2013 Universidad de Oviedo Place: Gijón, Spain The popular music studies field in all its inter-disciplinarity has been characterised by encounter, dialogue and exchange, and also by tension. Our title &#8216;Bridge Over Troubled Waters&#8217; takes the triple metaphor of bridge, inferring meetings and communication; trouble, indicating stresses and power [...]]]></description>
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		<title>A Special Relationship? Irish Popular Music in Britain</title>
		<link>http://www.iaspm.org.uk/a-special-relationship-irish-popular-music-in-britain/</link>
		<comments>http://www.iaspm.org.uk/a-special-relationship-irish-popular-music-in-britain/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 09:36:21 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=319</guid>
		<description><![CDATA[An interdisciplinary conference to be hosted at Northumbria University in conjunction with the Centre for Media Research at the University of Ulster June 27th-28th 2012. Ireland and Britain share in large measure a common, if disputed, history. Ireland is, of course, a former colony of Britain, and Northern Ireland is still part of the United Kingdom so that one [...]]]></description>
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		<title>Popular Music and Automobile Culture</title>
		<link>http://www.iaspm.org.uk/popular-music-and-automobile-culture/</link>
		<comments>http://www.iaspm.org.uk/popular-music-and-automobile-culture/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 12:28:39 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=316</guid>
		<description><![CDATA[A One Day Symposium: Friday 22nd June 2012 Binks Building University of Chester, England From Cadillacs to tour buses, motor vehicles and popular music have developed in parallel as symbiotic commodities. Their intimate and intertwined relationship evokes issues and feelings that characterize life in modern society. The conference aims to outline and discuss this relationship [...]]]></description>
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		<title>Sound Thought 2012</title>
		<link>http://www.iaspm.org.uk/sound-thought-2012/</link>
		<comments>http://www.iaspm.org.uk/sound-thought-2012/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 09:30:42 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=312</guid>
		<description><![CDATA[Call for papers 2nd and 3rd March 2012, The Arches, Glasgow A festival of sound and performance and associated research, run by postgraduate students from Glasgow University in partnership with The Arches, welcomes papers from researchers of any discipline. Sound Thought 2012 considers the idea of music as gift: What value has this?  What is [...]]]></description>
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		<title>Journal on the Art of Record Production &#8211; Issue #8: Technology, Time and Place</title>
		<link>http://www.iaspm.org.uk/journal-on-the-art-of-record-production-issue-8-technology-time-and-place/</link>
		<comments>http://www.iaspm.org.uk/journal-on-the-art-of-record-production-issue-8-technology-time-and-place/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 10:07:28 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=309</guid>
		<description><![CDATA[Journal on the Art of Record Production ISSN: 1754-9892 CALL FOR ARTICLES Issue #8: Technology, Time and Place The newly reworked Journal on the Art of Record Production invites proposals for Issue #8: Technology, Time and Place. Technologies are central &#8211; and essential &#8211; to sound and music recording and production processes. Over time, technological [...]]]></description>
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		<title>Biennial IASPM-UK/Ireland conference: Imagining Communities Musically: Putting Popular Music in its Place</title>
		<link>http://www.iaspm.org.uk/imagining-communities-musically-putting-popular-music-in-its-place/</link>
		<comments>http://www.iaspm.org.uk/imagining-communities-musically-putting-popular-music-in-its-place/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 14:58:14 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>
		<category><![CDATA[IASPM Conferences]]></category>

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		<description><![CDATA[Biennial IASPM-UK/Ireland conference September 7-9, 2012 Salford University Albion … Chocolate City … Highway 61 … Route 66 … Wonderland … Strawberry Fields … the Crossroads … Beale Street … Haight Ashbury … Music City U.S.A. Popular music has always been affiliated with physical places, both literal and imaginary. It is one of the ways [...]]]></description>
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		<title>Going Underground? Gender and Subcultures</title>
		<link>http://www.iaspm.org.uk/going-underground-gender-and-subcultures/</link>
		<comments>http://www.iaspm.org.uk/going-underground-gender-and-subcultures/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 10:34:07 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=289</guid>
		<description><![CDATA[Day Symposium at the University of Northumbria Friday 7th September 2012 The notion of ‘subcultures’, articulated most prominently by Dick Hebdige in his 1979 seminal work, Subculture: The Meaning of Style, has undergone much revision in recent years. However a critical engagement with gender remains absent within the majority of work on ‘subcultures’. Indeed, Angela [...]]]></description>
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		<title>Brian Eno</title>
		<link>http://www.iaspm.org.uk/brian-eno/</link>
		<comments>http://www.iaspm.org.uk/brian-eno/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 17:12:00 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=286</guid>
		<description><![CDATA[Call for contributors:  On the back of his published diary (A Year with Swollen Appendices, Faber 1996) Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer- user, an interviewee, and a ‘drifting clarifier’. To this list we might add rock star (on the first two Roxy [...]]]></description>
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		<title>Perspectives on Musical Improvisation</title>
		<link>http://www.iaspm.org.uk/perspectives-on-musical-improvisation/</link>
		<comments>http://www.iaspm.org.uk/perspectives-on-musical-improvisation/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 07:09:45 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=284</guid>
		<description><![CDATA[10th-13th September 2012 Faculty of Music, University of Oxford Conference theme Improvisation is arguably the most widely distributed form of musical practice – and yet remains the least studied or understood. Indeed, even the boundaries of what is or is not regarded as improvisation remain unclear. This conference will address the many faces of improvisation [...]]]></description>
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		<title>Music and Queer Theory</title>
		<link>http://www.iaspm.org.uk/music-and-queer-theory/</link>
		<comments>http://www.iaspm.org.uk/music-and-queer-theory/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 08:14:31 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Calls for Papers]]></category>

		<guid isPermaLink="false">http://www.iaspm.org.uk/?p=279</guid>
		<description><![CDATA[Call for contributions – Transposition. Musique et sciences sociales nº 3 (http://transposition-revue.org) Queer theory is likely one of the most well-known and controversial recent schools of thought, and its impact has been felt in the academic world and beyond. It appeared in the early 1990s in the United States, as a direct offshoot of LGBT (lesbian, gay, bisexual, [...]]]></description>
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