Welcome to The International Association for the Study of Popular Music UK and Ireland Branch

Media and Cultural Work: A Resource for Better Working Life in the Arts and Media

Posted: February 19th, 2015 | Filed under: News | No Comments »

Dear colleagues,

Today sees the launch of a new website, MEDIA AND CULTURAL WORK: A RESOURCE FOR BETTER WORKING LIFE IN THE ARTS AND MEDIA: http://mediaculturalwork.org

The title should hopefully make its function clear. It’s for activists, campaigners and public interest groups as much as for academics. It’s intended to be international. The launch of this website coincides with unprecedented media interest in questions of representation and inequality in cultural production. What has long been apparent to scholars in the field – that the cultural industries are less ethnically diverse, more male and skewed towards those of a higher socio-economic background that most other parts of the economy – seems to have become, at least briefly, ‘news.’ We hope to provide a forum where these and related issues can be discussed and where related research and activities can be publicised.

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International Conference on Music Since 1900

Posted: February 12th, 2015 | Filed under: Calls for Papers | No Comments »

University of Glasgow, School of Culture and Creative Arts, September 2015.

The Ninth Biennial International Conference on Music Since 1900 will take place at the University of Glasgow, School of Culture and Creative Arts, from Monday 7th September to Wednesday 9th September, 2015. We invite proposals for papers on any topic relating to 20th- and 21st-century music conceived in the broadest possible terms, including sound studies and inter-media arts. We welcome all methodological approaches, and particularly encourage submissions that question disciplinary boundaries and/or propose interdisciplinary perspectives.

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Music and Sound at Work

Posted: February 6th, 2015 | Filed under: Calls for Papers | No Comments »

London Conference in Critical Thought
University College London, 26-27 June 2015

This conference stream seeks to provoke discussion around ways in which music and sound could be considered ‘at work’. This construction has two distinct but overlapping and complementary senses.

  1. The acoustic ecology of the world of work: encompassing instances in which workers have soundtracked their labour; or used music to comment on working conditions.
  2. Sound and music that has been put to work: emphasising the exploitation of aural properties for specific social, economic or (bio)political ends (to drive the labour of consumption, for example).

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Equinox Studies in Ethnomusicology

Posted: February 4th, 2015 | Filed under: Calls for Papers | No Comments »

Book series editors: Simone Krüger and Britta Sweers

Equinox Studies in Ethnomusicology publishes monographs and edited collections on contemporaneous explanations surrounding the nature of music and human beings in a (post-)global world. Books in this series encompass a comprehensively wide selection of subject matters alongside a shared interest in fieldwork—physical, virtual, historical—and its complex challenges and fascinations in a postcolonial age.

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PERFORMA – Conference on Musical Performance Studies

Posted: January 19th, 2015 | Filed under: Calls for Papers | 1 Comment »

The University of Aveiro and INET-MD (Institute of Ethnomusicology – Centre for Music and Dance Studies) and the Brazilian Association of Musical Performance (ABRAPEM) will host PERFORMA’15, a conference on performance studies, from June the 11th until June the 13th, 2015 in Aveiro, Portugal. The organization is with the collaboration of the Graduate Studies Program of the Instituto de Artes of the Universidade Federal do Rio Grande do Sul. The keynote-speakers will be Prof. Marcel Cobussen, from the Leiden University in the Netherlands (and from Orpheus Institute in Ghent, Belgium), and Prof. Tia DeNora, from the University of Exeter, UK. This conference seeks to generate and present new perspectives on musical performance through interdisciplinary dialogue. The main theme for the 2015 edition will be performance practice as research with three specific research topics:

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